celebrating 40 years of yello and the 30th anniversary of “jungle bill” and “rubberbandman” with a limited edition of 2000 numbered copies on clear blue 10 inch vinyl, cut at 45rpm.

the soundtrack from quentin tarantino’s “jackie brown” on limited blue coloured vinyl.

a verva acoustic sounds series reissue - remastered from the original analog tapes, pressed on 180 gram vinyl, housed in a gatefold sleeve.

vinyl lp with cd-copy of the full album plus 6 bonus tracks.

previously unreleased 1975 live recordings from the bill evans trio. pressed on 180 gram double vinyl, housed in a gatefold sleeve.

a japan-new york sonic summit where ancient meets maximum dub.

reissue, orange coloured vinyl

vinyl lp in tri-fold sleeve.

limited

reissue of the legendary 1975 bill withers album on audiophile 180 gram vinyl.

limited reissue on 180 gram vinyl, including 2 bonus tracks.

new album from ill bill on limited white double vinyl.

third animal crossing release from joey jackson - available on yeloow marbled vinyl only.

a classic withers album back on audiophile 180 gram vinyl.

a verve vital vinyl reissue, remastered from the original tapes.

a verve 60 vinyl reissue.

tony bennett & diana krall with bill charlap trio celebrate the music of george gershwin.

experimental electro stuff

hits from across bill withers’ legendary career on vinyl lp incl lean on me, just the two of us, aint no sunshine & lovely day !

tape / cassette

one sided vinyl, hand stamped

feat. by immortal technique, vinnie paz, d.v. alias khryst and lord goat (fka goretex).

dj tools, with insert

blue note presents the new album from jazz guitarist and composer bill frisell. the limited double vinyl lp is housed in a gatefold sleeve.

after >just as i am< (movlp378) music on vinyl is proud to present the next gem of bill withers >still bill<. it is rich, subtly layered music, but its best attribute is that it comes on easy, never sounding labored or overworked. in fact, it takes several spins of the album to realize just how versatile withers is on >still bill<, to hear how he makes intricate, funky rhythms sound as effortless and simple as the albums best-known song, the gospel-tinged inspirational anthem >lean on me<.
comes on 180 grams audiophile vinyl in gatefold sleeve.

the 1977 bill withers classic back on audiophile 180 gram vinyl.

vinyl reissue, including cd of the album with 5 bonus tracks.

classic re-release by mystic bill supported with remixes by ricardo villalobos and label owner ilario liburni. enjoy!

the 1959 chet baker album back on 180 gram vinyl. housed in a gatefold sleeve, featuring fotos from jean-pierre leloir.

limited edition 180 gram vinyl in gatefold sleeve.

the mass influence classic plus the sample’s origin back-to-back on a 45.

new album from american jazz guitarist and composer bill frisell on double vinyl, housed in a gatefold sleeve.

bristol’s mohawkestra with 2 funky cuts on a 45.

pressing on grey coloured and blood red splattered double vinyl.

ill bill and stu bangas are the cannibal hulk! limited pressing on translucent pink vinyl with alternate cover.

the new album from grammy award winner bill laurence on double vinyl with etching on side d.

record store day 2019, numbered edition of 1000, 18 unmissed soul, funk & disco stunners from the vaults

recorded live at the village vanguard, new york. the double vinyl is housed in a gatefold sleeve.

ill bill and stu bangas are the cannibal hulk! limited pressing on gamma ray green vinyl.

ltd edition on clear 180 g vinyl with download card

180 g vinyl lp incl. mp3 download

acidic powerhouse bill converse makes his debut on fit sound. his sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. treading the line between melody and brutality, while never being heavy handed, converse has proved himself once again to be a true original lurking in the underground today.

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

you got the stuff is not lovely day - that much is true. this ones a wigged out, extended, trip into deep space from 1978 that is truly baffling. of course, it features bill singing for the first half of the track but then all of a sudden we re launched into a cosmic wormhole as everything just falls back and the track is stripped of any earthly qualities. people find themselves asking this, this is bill withers? as lazer guided synths and rock solid drums pull us into the sonic vortex. truly amazing. obviously a nugget like this has not gone unnoticed and has been edited and chopped and sampled deftly by the more sarcastic, left-field oriented crate diggers out there but it has never been reissued legitimately - until now! a hugely sought after and collectible gem right here, backed with the wistful slow jam look to each other for love as per the original 1978 columbia promo 12inch version. this left-field, cosmic classic has been legally reissued by above board distribution in conjunction with the legal rights holders sony music entertainment. this high quality repress features original columbia pink label disco 12inch artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

after gunnar haslam inaugurated kalvanic languages with his deep-minded techno styles, now it s up to supposed newcomer bill westerby to follow up with another round of elevated machine learning. k-stream was a smart choice for the lead track, bubbling along on a warm acid line and shuffling a wealth of dubby processing around in the middle distance. down a back alley in cholon is a slightly more wound up affair with a bleepy lead and a firmer jack powering the drums, but the end results are actually more meditative than that description might have you believe. caye de crabe is a more overtly tripped out affair with polyrhythmic phrases weaving in and out of each other while westerby lets rip on the parameter tweaks in a fine display of machine wielding prowess.